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  Printed in the September 2007 edition of Chanter Magazine
  (bagpipe society) 
  Reviewed by John Tose
This is a lovely CD.  Apart from seeing Dominic aroundÊat the blowout, the only recording of his playing I’ve heard before is the Fiendhandle CD I reviewed a while back.  I had some reservations about some aspects of that recording but I can honestly say I can think of nothing to fault Dominic’s current album.
Dominic is joined on ‘Stick’ by Woody Woodward who accompanies Dom’s piping with guitar, piano,Appalation dulcimer and a little percussion.  So this album is very much a duo - basically Fiendhandle minus Simon Raine.  Although that doesn’t do justice to the CD - as the pipes are the only lead melody  instrument, the album is very much a bagpipe CD, rather than a band where pipes come to the fore on occasion. And where overdubbing has been used,  it still retains it’s duo feel, rather than sounding like a band. The first ten tracks were all written by Dominic and are in that French-influenced style of English piping, while the eleventh track, ’A none-threatening waltz’ was by Woody.  All are well played pipe-wise, with no tendency towards monotony, while Woody’s accompaniment is always thoughtful, varied and adds much to the overall feel of the Music.  My favourite track was track 4, ‘My evil twin’, which starts off with pounding piano before Dom kicks in on pipes with Woody  on guitar. The whole track is nearly thirteen minutes long, a series of varied melodies with equally varied accompaniment.  Guitar switches back to piano, back to guitar, then to dulcimer with a change of tune.  I must say I do like the combination of pipes with Appalachian dulcimer and would have liked to see more of it on the album.  A nice dulcimer solo kicks off track 11, while another memorable track is the sixth, ‘John Entwistle’s Trombone’, being a slow air solo on pipes throughout.
You can see from the titles of tracks already mentioned, Dom’s sense of humour comes to the fore in this aspect of the CD, though the music itself is straight enough - there is however no explanation as to how the tunes were named: one can only imagine.  Another incident of Dominic’s sense of humour is track 12, ‘Happy now?’ In this case it does influence the music, but to find out how you’ll have to grab yourself a copy of the album and give it a listen.
All in all a very listenable, delightful piece of work. Well worth the investment.
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